FROM THE DESK OF
Amy Suto
Hello! 👋 I’m Amy Suto, a published author and digital nomad. Subscribe to my newsletter here!
Nobody is Going to Make Your Thing: The Cavalry Isn't Coming and Other Hollywood Pep Talks
I get a lot of people who ask me how to get started in the industry, i.e. how to sell a script or something or get somebody to produce your idea or get a studio to buy your screenplay or make your podcast or whatever.
My Advice to 2020 and 2021 Film School Graduates: Navigating the Post-COVID Entertainment Industry and Building a New Path
I've written a lot on my blog about traditional entrypoints for the industry, from surviving being an agency assistant to networking authentically to the difference between support staff positions in the writers' room. Now, I'm modifying my advice, in part because I don't think the assistant route is a viable one for writers anymore.
A Year of Writing: What I've Learned from Traveling, Writing for TV, Freelancing, & Ghostwriting Memoirs for People All Over the World
I'm on a rooftop bar in Paris, talking to an American who works in "security" in third world countries (read: definitely CIA) and an allegedly famous actor from Istanbul. The sun is setting, the actor is buying all of us shots, and we're toasting to meeting new people and getting out of our comfort zones in the golden glow of the evening.
Writing Routines: A Holistic Approach to Crafting Your Weekly Writing Schedule
If you think I'm writing these blog posts in part so I can spend my mornings browsing aesthetically pleasing photos of coffee and desks and people writing in dramatic lighting, you'd be 100% right. Also, it's January, so I'm on that Self Development Kick that we all get when advertisers are hammering into our minds how we can be better, and our new years' resolutions haven't faded from our minds for the next 11 months.
The Americans: Day 4 of 31 Days of Spy Films & Television
Because I work on a spy show, I knew I had to see the full series. I, like so many people I know, gave up around season 1 because I found it a bit dull. On the spectrum, I prefer a bit more elevated spy thrillers because I find that if you get too grounded you run the risk of something too muddled and pedantic rather than a slick and gut-wrenching show that hits in an emotional place while keeping the tension high.
A Writers' Life in 2018: Novel Writing, Freelancing, First Episode of Television
It's December! You know what that means: a lengthy reflection on the year that's passed, with all the ups and downs and status on my impending carpal tunnel!
How to Write a Series Bible for Your TV Show
It's the top of the New Year and I hope you're as ready for this year as I am! Every year after Christmas I let my OCD tendencies take over and deep clean my apartment and get my projects in order by making a project calendar. I also get started on new scripts, so I thought I'd write this post about how to write a killer series bible for your TV show. Let's write stacks on stacks of final drafts this year guys, OK?
How to Work with a Writing Partner (and not murder each other!)
So if you're starting in a television writers' room or are about to embark on writing a script with a writing partner, here are some things you should keep in mind so that you get along with other creatives and homicide stays on the page:
3 Tips for Getting Organized and Motivated after a Setback (Writing in Hollywood)
We can't control a lot of aspects of writing in television, but what we can control is our own mindset and how we approach our work. By investing in a sense of humor, a positive perspective, and some organizational habits, we can re-route ourselves and get back on track no matter the setback. So, here are six ways I reset myself and my goals after a setback:
Writing the Half-Hour TV Drama
I hate the phrase "dramedy."Every half-hour TV show that isn't quite a comedy has been given that title. NURSE JACKIE? WEEDS? TRANSPARENT? GIRLS? Dramedies, despite the fact that the spine of these shows are unequivocally dramatic.
Assistant Life: Surviving Vs. Thriving, Strategies to Keep Writing
I've been writing a lot recently about creatives in the industry and posting images of aesthetically pleasing and meticulously organized writing spaces (aka: my therapy) so this blog post is continuing the trend.At holiday parties this past month, I've been meeting other writers who are holding down jobs in the industry, from showrunner's assistants to writer's PA's to researchers.
5 Tips for Using Flashforwards in TV Writing
Flashforwards are the flashbacks of our era of TV writing. From the flashforwards in Lost that showed our merry ensemble cast finally off the island at last (and wanting to go back) to shows like Damages and Bloodline that structure entire seasons on the content of their jumps in time, this tool has become ubiquitous in our modern age of storytelling as a linear narrative faces more challenges in capturing an audience.
Playing Pretend: On Set of CON and the Television Experience
Every week we have a quote of the day on our call sheet. My favorite was written by Irina, our Russian supervising producer: “We wrap by 5pm or else I’m sending you all to Siberia.”
Antidote 15: Web Festivals, TV Interviews, & More
The past seven days have been a whirlwind of press and exciting events to celebrate Antidote 15's season two and all the amazing people who are the lifeblood of the show. On Friday, Antidote 15 screened in the Charlie Chaplin theater at Raleigh Studios, and I was able to talk on a panel about the inspiration for the show, and why ex-boyfriends, deadlines, and drinking things you're not supposed to be are common college struggles.
6 Reasons Why Earlier TV Seasons Are The Strongest
When Nikita got renewed, I died of happiness. This high-octane spy thriller is filled with Alias-like twists and turns and movie-quality combat, and the characters are layered and nuanced. I love the first and second season with obsessive tendencies. However, gun to my head I would still say that the first season has stronger storytelling.
The "Will They Won't They" Plot Device: Is it Overused?
The "Will They Won't They Get Together Romance" is possibly one of the most annoying-- yet extremely addicting if used effectively- plot device on television today.
