FROM THE DESK OF
Amy Suto
Hello! 👋 I’m Amy Suto, a published author and digital nomad. Subscribe to my newsletter here!
Writing the Half-Hour TV Drama
I hate the phrase "dramedy."Every half-hour TV show that isn't quite a comedy has been given that title. NURSE JACKIE? WEEDS? TRANSPARENT? GIRLS? Dramedies, despite the fact that the spine of these shows are unequivocally dramatic.
Writing Through Fear
It's been a year since I graduated from the USC screenwriting program, and in that year I've learned a number of lessons: there are a number of dinner recipes out there that don't include pasta, perfection is not attainable, decaf coffee is a cruel joke. The most important lesson of all, however, is how to write through fear.
Writer's Life: Finding Creativity & Maslow's Hierarchy
I work Hollywood hours. Up at 5am or 6am to write (depending on the project I'm working on), out the door by 8am, at my agency by 8:30am, and back home by 8pm if I'm lucky (if I have networking drinks, make that 10pm.)
Inside the USC Writing for Screen and Television BFA Program
Because I'm graduating soon, it's about time that the nostalgia hit full force. Tonight is my last USC class, ever, and it's all beginning to sink in.I've been doing a few panels for admitted screenwriters and have been answering a lot of questions about the program, so I thought I'd write about what it's been like going to school here for the Writing for Screen and Television program.
3 Steps to Successful Worldbuilding (How to Prewrite)
It's an absolute crime how pre-writing is so overlooked in the writing world. Have you read Stephen King's On Writing? That was one of my favorite writing books as a kid and I took his advice as gospel. One of the tenets of his book was that too much outlining and prewriting killed the story, which made me instantly afraid of killing my story before I could discover it through the actual process of writing.
Playing Pretend: On Set of CON and the Television Experience
Every week we have a quote of the day on our call sheet. My favorite was written by Irina, our Russian supervising producer: “We wrap by 5pm or else I’m sending you all to Siberia.”
Antidote 15: Web Festivals, TV Interviews, & More
The past seven days have been a whirlwind of press and exciting events to celebrate Antidote 15's season two and all the amazing people who are the lifeblood of the show. On Friday, Antidote 15 screened in the Charlie Chaplin theater at Raleigh Studios, and I was able to talk on a panel about the inspiration for the show, and why ex-boyfriends, deadlines, and drinking things you're not supposed to be are common college struggles.
CON: Writing Con Artists
So ever since the TV miniseries my writing partner Jen Enfield-Kane and I created went into production, I've been living that executive producer life again. Which sounds glamorous, but in reality it's more paperwork, scheduling, emailing, and budgeting than I ever thought I'd do in a lifetime.
Creating Detailed Character Backstory
I'm working on some new characters for a feature I'm writing this fall, and am reminded that character backstory is like trying to get to know a person and they keep ignoring you, so you have to make up things about them until they tell you the truth.
Writing The Vision
I've been writing short films, short stories, and summaries inside and outside of the classroom of this idea since December of 2013, and I'm excited to finally use the power of deadlines and inordinate amounts of coffee to bring it to fruition. So partially in order to procrastinate from the writing I'm doing today and to hold myself accountable, here's an update on The Vision.
![Webseries School: Creator Up! [Review]](https://images.squarespace-cdn.com/content/v1/60956f69f8fafe4b3e171dcd/1623702907104-35T18G4Z6ETXOMANP63J/Screen-Shot-2013-07-04-at-3.32.56-PM-1024x550.png)
Webseries School: Creator Up! [Review]
Webseries are the great Wild West of the film industry, and for new content creators, it can be a daunting plain to navigate. Creator Up is the online Webseries School created by USC alumni who want to bring the joy of collaboration and creation from film school into this new realm of content creation.
A Writer’s Recipe For Great Characters
I'm a sassy writer who gets no sleep and cooks more often than your grandmother. So here's a recipe for creating great characters in six steps!
4 Creative Brainstorming Exercises for Screenwriters
Welcome to the latest and greatest installment in my Creative Screenwriting article series!As always, this post is about optimizing your creativity through improving your writing process, and you'll find practical tips intermixed with creativity studies when relevant.
4 Ways to Find the Emotional Core of Your Story
When it comes to selling your scripts, the most powerful weapon you have is being able to make your audience feel something. Emotion will get you where structuring and formatting and perfect grammar alone cannot. That's why today's post is all about finding ways to connect with the emotional core of your story!
For Men: How to Write Female Characters
This post was originally intended to be a satirical comment on the state of female characters in screenplays written by men.But, ironically enough, after talking to a handful of male screenwriters, I realized that there is a legitimate, long-standing issue amongst male writers when it comes to writing female characters.I say this without judgment: some male writers just don’t know how to write female characters. Which is why I’m here to help!How Are Female and Male Characters Different?
5 Ways to Write What You Don't Know
The phrase write what you know can be damaging to a writer when taken too literally.If I wrote only what I knew, I would be limited to the quirky adventures of a screenwriter and her friends in Los Angeles. My main character would spend most of her time writing, running, and blogging, with occasional trips up to abandoned ski resorts to film horror movies or battles done with crocodiles in the harbors of Mexico.In short, the movie that I want to write does not resemble my life.But that's not how "writing what you know" is supposed to be interpreted. It means that you're supposed to use what you do know as a jumping off point to write what you don't know anything about, thus lending authenticity to your writing.Here are 5 ways to write what you don't know, in a way that will ring true with the reader:
13 Ways to Be a Better Screenwriter in 2013
Hey guys! It's 2013, and now that the holidays are over, it's time to get to work on that screenplay you've been wanting to write. Today is a fresh start, where we can put procrastination and overcaffeination behind us, and become more productive, creative people who make up fictional relationships and events alone in front of a laptop (or typewriter, if you're classy like that.)
